Dr. P.W.J. (Peter) Verstraten
- Assistant Professor in Film and Literary Studies
- Chair MA Media Studies, track Film and Photographic Studies
- Literary studies
- The relation of literature to other media
|Telephone number:||+31 (0)71 527 2248|
|Faculty / Department:||Faculteit der Geesteswetenschappen, Centre for the Arts in Society, Literatuurwetenschap|
van Wijkplaats 2
2311 BX Leiden
Room number 2.01a
- (Film) Narratology
- Modernism and postmodernism
- Psychoanalysis (and film)
- Questions of medium-specificity / word-image relations
- Film genres
Among my key publications is the study Film Narratology. An English edition was published by University of Toronto Press in 2009. The original Dutch version was published by Vantilt (in Nijmegen) in 2006 with a second revised and extended edition in 2008. Starting from Mieke Bal´s Narratology (1997), this study aims to apply her well-established method, originally developed within literary studies, to the field of film studies, keeping in mind that, to paraphrase Seymour Chatman, ‘there are certain things that novels can do and films cannot – and vice versa.’
Some other notable essays which explicitly address the relation between literature and film, are ‘A Cinema of Modernist Poetic Prose. On Antonioni and Malick’ in Image & Narrative (2012), an article on Bruno Dumont’s film Hadewijch in Journal of Dutch Literature (2012), an article on early film fairy tales in Relief (2010), an article on Godard’s Le mépris, one on Jonze’s Adaptation. (‘Cinema as a Digest of Literature’, 2012), and two on novelizations (about Kramer’s Ja zuster, nee zuster and Paul Verhoeven’s biography of Jesus) .
Another publication that warrants mention is the volume Shooting Time: Conservations on Cinematography (Rotterdam: Post Editions) in november 2012, which I edited with two directors of photography, Richard van Oosterhout and Maarten van Rossem. Hence, this book is a unique cooperation between an academic scholar and those who practice the craft of filmmaking. The general aim of the volume is to consider how (recent) technological developments affect the work of directors of photography. In addition to a foreword, focusing upon the debate of analog and digital cinema, the volume also features a lengthy essay I wrote on the history of style in art cinema. I consider this essay as some sort of position piece on what the study of film in Leiden entails. Other publications examine the relation between modernism and postmodernism, like the book Celluloid echo’s (Nijmegen: Vantilt, 2004). Some articles on this subject are dedicated to Godard’s Pierrot le Fou (2005, and one forthcoming) and one to Bergman’s Persona versus Lynch’s Mulholland Drive (2009).
Kernthema’s in de filmwetenschap is a book-length study with the aim to give an overview of tendencies within film studies from its nascent years in the 1960s until the present (2008, Amsterdam: Boom). This book contains a chapter on ‘psychoanalysis and film’, a subject to which I dedicated some essays for the series Psychoanalyse en Cultuur. One of these discussed the cinema of both Tarkovsky and Apichatpong, another one focussed upon the cinema of Frans Weisz. Another one discussed the relation between film and photography from a psychoanalytical perspective. In addition to this, I have some articles which explore this relation between film and photography in particular. In an essay for Parmentier I closeread the gallery film Not She made by the Rotterdam based art photographer Ine Lamers and for HTV News I analyzed Elbert van Strien’s Wereld van Stilstand.
Finally, I have a keen interest in genre cinema. My dissertation was on westerns, Screening Cowboys (Nijmegen: Vantilt, 1999). Further, I published articles on the melodrama – Douglas Sirk’s Imitation of Life (in 2000) – on screwball comedy and the melodrama of the unknown woman, on postmodern romances – Paul T. Anderson’s Punch-drunk Love – on the futuristic disaster film – among others Alfonso Cuaron’s Children of Men – on science fiction – Nicolas Roeg’s The Man Who Fell to Earth (forthcoming) – on the genre of the French historical reconstruction film – Gance’s Napoléon and Dreyer’s La Passion de Jeanne d’Arc – and on cult cinema (forthcoming).
Other articles include a variety of subjects like ‘repetition and remake’; ‘James Bond as a tamagotchi’ and a reading of The Artist via Chaplin’s sound cinema. Further, writings on striking films like Three Monkeys (Nuri Bilge Ceylan), Caché (Michael Haneke), Rescue Dawn (Werner Herzog), Palindromes (Todd Solondz) Stellet Licht (Carlos Reygadas), El Rebozo de mi Madre (Itandehui Jansen), Oogverblindend (Cyrus Frisch), The Fall (Tarsem Singh), Black Swan (Darren Aronofsky), The Dark Knight (Christopher Nolan).
I am Assistant Professor at Film and Literary Studies as well as the chair of the MA Media Studies in Leiden. I am head of the programme of Film and Photographic Studies since 2010. When I came to Leiden in 2000, I also started working as a film lecturer in Media and Culture at the University of Amsterdam until May 2003. I also taught courses at the Gerrit Rietveld Academy in Amsterdam (2010) and at the Emerson College, an auxiliary branch of a private University from Boston, located in a castle in Well (Limburg) in 2003. After the conferral of my doctorate at the University of Amsterdam in 1999, I worked as a quiz-editor for the IdTV television station for the programmes ‘Stop de Tijd’ (NCRV) and ‘Triviant’ (TROS).
I teach among others:
- Theories of Film (MA Film and Photographic Studies)
- Literature and film
- Film history
- Approaches to Film
- Methodological Concepts in Literature and Art History (ResMa, with Anja Novak)
- Film Narratology (Toronto: University of Toronto Press, 2009) [translation of Handboek filmnarratologie (Nijmegen: Vantilt, 2008)
- Shooting Time: Conversation on Cinematography (Rotterdam: Post Editions, november 2012), co-edited with Richard van Oosterhout and Maarten van Rossem
- Kernthema’s in de filmwetenschap (Amsterdam: Boom, 2009)
- ‘A Cinema of Modernist Poetic Prose: On Antonioni and Malick,’ Image & Narrative 13 (2): pp. 117-132.
- Celluloid echo's: cinema kruist postmodernisme (Nijmegen: Vantilt, 2004)
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