Prof.dr. E.J. (Ernst) van Alphen
Position:
- Professor
- Literary studies
- Comparative literature
- Literary theory
| Telephone number: | +31 (0)71 527 2249 |
|---|---|
| E-Mail: | e.j.van.alphen@hum.leidenuniv.nl |
| Faculty / Department: | Faculteit der Geesteswetenschappen, Institute for Cultural Disciplines, Literatuurwetenschap |
| Office Address: |
Witte Singel-complex van Wijkplaats 2 2311 BX Leiden Room number 1.01a |
Prof.dr. Ernst van Alphen's research focuses on modern and post-modern literature - and its relation to visual arts.
Fields of interest
Havantgardes
Gender studies
Holocaust studies
Relationships between the Arts
Theory
Research
I have been a Professor of Literary Studies at Leiden University since 2000. In my research as well as in my teaching, I am particularly interested in issues that are central in modern and post-modern literature and in the relation between literature and the visual arts. The literary texts and art works on which I focus are usually part of the movements of the historical avant-gardes, modernism, or postmodernism. I have for a number of years had a particular interest in literature and art representing the Holocaust, and I have published several books on this topic. Theoretically, I am still interested in problems related to trauma and memory and their role in literary and artistic representation, but no longer only in the context of the Holocaust. A perspective that is usually part of my research is that of gender studies, especially in relation to masculinity. Before I came to Leiden University, I worked at Utrecht University and the University of Nijmegen; at Museum Boijmans Van Beuningen in Rotterdam I held the post of Director of Communication and Education. I have also been appointed as Queen Beatrix Professor of Dutch Studies, as well as Professor of Rhetoric at the University of Califormia, Berkeley.
Curriculum Vitae
Education:
- PhD: University of Utrecht, January 22, 1988; Supervisors: Prof. Dr M. Bal and Prof. Dr J. Neubauer
- University of Utrecht 1977-1983, "kandidaats"exam: Dutch linguistics and literature; "doctoraal"exam: Theory of literature
- Spieringshoek Lyceum, Schiedam 1971-1977, Gymnasium Bêta
Publications (books)
Art in Mind: The Contribution of Contemporary Images to Thought. Chicago 2005: University of Chicago Press, (228 pp.)
Schaduw en Spel: Herbeleving, Historisering en Verbeelding van de Holocaust. Rotterdam 2004, NAi publishers, (128 pp.) (Shadow and Play: Reliving, historicizing and representing the Holocaust)
Armando: Vormen van Herinnering. Rotterdam (2000), NAi Uitgevers (240 pp.); English edition: Armando: Shaping Memory. Rotterdam 2000, NAi Publishers (240 pp.)
Caught by History. Holocaust Effects in Contemporary Art, Literature and Theory. Stanford CA 1997, Stanford University Press, (234 pp.)
Op poëtische wijze. Een handleiding voor het lezen van poëzie. Bussum (1996; reprinted 2006), Coutinho. (190 pp.) co-authors: L. Duyvendak, M. Meijer and B. Peperkamp (In a poetic manner: a manual for reading poetry)
De toekomst der herinnering. Essays over moderne Nederlandse literatuur. Amsterdam, Van Gennep (1993). (240 pp.) (The Future of Memory. Essays on Modern Dutch Literature)
Francis Bacon and the Loss of Self. London, Reaktion Books (1992; reprinted 1998); Cambridge MA, Harvard University Press (1993). (208 pp.)
Bij wijze van lezen. Verleiding en verzet van Willem Brakmans lezer. Muiderberg, Coutinho (1988), (256 pp.) (As a Manner of Reading. Seduction and Resistance of Willem Brakman's Reader)
Bang voor schennis? Inleiding in de ideologiekritiek. Utrecht, HES Publishers (1987), (130 pp.) (Afraid of Violation? Introduction to the Critique of Ideology)
Publications (articles, selection)
-“Visual Archives as Preposterous History”, in Art History, 30, 3, June 2007, 364-82
-“Configurations of Self: Modernism and Distraction”, in Astradur Eysteinsson and Vivian Liska (eds.), Modernism. (Amsterdam 2007: John Benjamins Publishing Company), pp. 339-46
- “Second-Generation Testimony, Transmission of Trauma, and Postmemory”, Poetics Today 27 (2006), 2, pp. 473-88
- “Free Association and Anomic Archiving”, in Els Vanden Meersch, Implants (Gent 2006, MER), pp. 134-49
- “¿Qué Historia, la Historia de Quién, Historia con Qué Propósito?” Nociones de Historia del Arte y Estudios de Cultura Visual”, EV: estudios visiales 3, diciembre 2005, pp.79-98
- “Migrant/Migrating Masculinities”, “Migrant/Migrierende Mänlichkeit”, in: Kathrin Becker (ed.), Masculinities, (Berlin: Neuer Berliner Kunstverein / Frankfurt am Main: Revolver, 2005), pp. 13-33 and pp. 66-91
- “Die Ausstellung als narratives Kunstwerk/Exhibition as Narrative Work of Art,” in Partners. Munich 2003: Haus der Kunst / Köln: Walther König, pp. 143-85
- “Reconcentrations”: Bacons Neuerfindung seiner Vorbilder”, in: W.Seipel, B. Steffen, Ch. Vitali (eds.) Francis Bacon und die Bildtradition. (Milano 2003: Skira/ Viena 2003: Kunsthistorisches Museum )“Reconcentrations: Francis Bacon reinventing his Models,” Francis Bacon. Vienna 2003 : Kunsthistorisches Museum), pp. 57-70
- “Literature and Art in History”, in: Arcadia: Internationale Zeitschrift für Literaturwissenschaft. Band 38, 2003, Heft 2, pp. 334-338
- “Holocaust Toys: Pedagogy of Remembrance through Play”, in S. Hornstein, L. Levitt L.J. Silberstein (eds.), Impossible Images: Contemporary Art after the Holocaust (New York 2003: New York University Press), pp. 157-178
- “Stylistic Travesties: Philip Akkerman’s Obsessive Portraiture”, in D. Blostein and P. Kleber (eds.) Mirror or Mask ? Self-representation in the Modern Age. (Berlin 2003: Vistas Verlag), pp. 264 - 76
- “Imagined Homelands: Re-Mapping Cultural Identity”, in: Ginette Vertraete and Tim Cresswell (eds.), Mobilizing Place, Placing Mobility: The Politics of Representation in a Globalized World. (Amsterdam/New York 2002: Rodopi), pp. 53-70
2011
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Alphen, E.J., van (2011)
Caught By Images. In: Kocur, Z (Ed.), Global Visual Cultures: An Anthology, pp. 358-373. Oxford: Wiley-Blackwell.
(Part of book or chapter of book) -
Alphen, E.J., van (2011)
Focalisation as perception and as figure of knowing. In: Ayedemir, M & Peeren, E (Eds.), Eighty-Eight: Mieke Bal PhDs 1983-2011, pp. 20-26. Amsterdam: ASCA.
(Part of book or chapter of book) -
Alphen, E.J., van (2011)
Sheer Skin: The Dissolution of Sculptural Skin and Sculpted Skin. In: Jakubowska, a (Ed.), Alina Szapocznikow: Akward Objects (museum under construction book series), pp. 113-122. Warsaw: Museum Books.
(Part of book or chapter of book) -
Alphen, E.J., van (2011)
The Portrait's Dispersal: Concepts of Representation and Subjectivity in Contemporary Portraiture. In: Mosquera, G (Ed.), Interfaces: Portraiture and Communication, pp. 47-62. Madrid: La Fabrica.
(Part of book or chapter of book) -
Alphen, E.J., van (2011)
Toward a New Historiography: The Aesthetics of Temporality. In: Nichols, B & Renov, M (Eds.), Cinema's Alchemist; The Films of Peter Forgacs (Visible Evidence), 25. , pp. 59-74. Minneapolis: University of Minnesota Press.
(Part of book or chapter of book) -
Alphen, E.J., van (2011)
Zbigniew Libera. In: Zak Branicka, (Ed.), Polish!: Contemporary Art From Poland, pp. 178-185. Ostfildern: Hatje Cantz Verlag.
(Part of book or chapter of book)
2010
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Alphen, E.J., van (2010)
Armando. In: Keizer, M, de & Plomp, M (Eds.), Een open zenuw. Hoe wij ons de Tweede Wereldoorlog herinneren, pp. 75-84. amsterdam: Bert Bakker.
(Part of book or chapter of book) -
Alphen, E.J., van (2010)
How to Paint Shame? / Hoe Schaamte te schilderen? In: zyl, i, van (Ed.), Shame Pieces / Schaamstukken, pp. 9-46. Amsterdam: Onrust.
(Part of book or chapter of book) -
Alphen, E.J., van (2010)
La Dispersión del retrato: los conceptos de represención y subjectividad en el retrato contemporáneo. In: Eskildse, U & Martín., A (Eds.), De lo Humano. Fotografía internacional 1950 – 2000, pp. 141-166. Madrid: Turner.
(Part of book or chapter of book) -
Alphen, E.J., van (2010)
Radicaal Perspectivisme: Van Gevangenschap tot Doodservaring. In: Baetens, j, Houppermans, S, Langeveld, A, Liebregts, P (Eds.), De Erfenis van het Modernisme, pp. 291-302. Amsterdam: Rozenberg.
(Part of book or chapter of book) -
Alphen, E.J., van (2010)
Resisting History in Charlotte Salomon's Life? or Theater? , Charlotte Salonon: Trough the Eyes of Jonathan Safran Foer, Bernice Eisenstein and Ernst van Alphen, pp. 28-45. Amsterdam: Joods Historisch Museum.
(Part of book or chapter of book) -
Alphen, E.J., van (2010)
The Act of Telling as Betrayal of Catastrophe. In Ottosen, R & Steien, S (Eds.) Framing War with Facts and Fiction in the Cultural Field (pp. 30-37). Oslo: Oslo University College.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2010)
W pulapce wizerunkow. Teksty Drugie: Theorie Literatury/Krytyka/Interpretacja, 5 (119), pp. 124-143.
(Article)
2009
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Alphen, E.J., van (2009)
De canon onder vuur. In: Duyvendak, L & Pieterse, S (Eds.), Van Spiegels en Vensters: de literaire canon in Nederland, pp. 98-107. Hilversum: Uitgeverij Verloren.
(Part of book or chapter of book) -
Alphen, E.J., van (2009)
Die Dekonstruktion der Mänlichkeit – Zur Körpersprache im Werk Francis Bacons. In: Heicker, D (Ed.), Francis Bacon: Ein Malerleben in Texten und Interviews, pp. 182-209. Berlin: Parthas Verlag.
(Part of book or chapter of book) -
Alphen, E.J., van (2009)
Hacia una nueva historiagrafia: Peter Forgács y la esthética de la temporalidad. EV:Estudios visuales, 6 (diciembre 2008), pp. 29-48.
(Article) -
Alphen, E.J., van (2009)
Immersed in Abtstraction / Aufgenommen in die Abstraktion. , Marian Breedveld, pp. 110-119. Deventer: Thieme Art.
(Part of book or chapter of book) -
Alphen, E.J., van (2009)
Introduction. In Alphen, e.j. van, M.G. Bal, C. Smith (Ed.) The Rhetoric of Sincerity (pp. 1-18). Stanford: Stanford University Press.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2009)
Literatuur als legitimatie. Tydskrif vir Nederlands en Afrikaans, 15 (1, 2008), pp. 3-18.
(Article) -
Alphen, E.J., van (2009)
Radicaal Perspectivisme: van gevangenschap tot bijnadoodervaring. nY: Tijdschrift voor literatuur, kritiek en amusement, 2009 (4), pp. 616-624.
(Article) -
Alphen, E.J., van (2009)
Second Generation Testimony: Transmission of Trauma and Postmemory. In: Jongy, B & Keilhauer, A (Eds.), Transmission/Heritage dans l'ecriture contemporaine de soi, pp. 181-198. Clermond-Ferrand: presses Universitaires Blaise Pascal.
(Part of book or chapter of book) -
Alphen, E.J., van & Bal, M.G. & Smith, C.E. (Eds.) (2009)
The Rhetoric of Sincerity. Stanford: Stanford University Press.
(Book editorial) -
Alphen, E.J., van (2009)
Visual Archives and the Holocaust: Christian Boltanski, Ydessa Hendeles, and Peter Forgacs. In: Braembussche, A, van den & Kimmerle, H (Eds.), Intercultural Aesthetics: a Worldview Perspective (Einstein Meets Magritte: An Interdisciplionary reflection on Science, Nature, Art, Human Action and Society), pp. 137-156. Berlin: Springer.
(Part of book or chapter of book)
2008
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Alphen, E.J., van (2008)
A Forensic Reading of Emptiness. In: Lurie, A. & Goren, N. (Eds.), Depletion, pp. 124-136. Tel Aviv: Tel Aviv Museum of Art.
(Part of book or chapter of book) -
Alphen, E.J., van (2008)
Affective Operations of Art and Literature. RES, 53/54, pp. 20-30.
(Article) -
Alphen, E.J., van (2008)
Archival Obessions and Obsessive Archives. In: Holly, Michael, Ann & Smith, Marquard (Eds.), What is Research in the Visual Arts: Obsession, Archive, Encounter (Clark Studies in the Visual Arts), 10. , pp. 65-84. New Haven: Yale University Press.
(Part of book or chapter of book) -
Alphen, E.J., van (2008)
De l'archive visuelle comme histoire a contretemps. In: Careri, Giovanni & Ruediger, Bernhard (Eds.), Face au Reel: Ethique de la forme dans l' art contemporain, pp. 229-254. Lyon: archibooks// Enba de Lyon.
(Part of book or chapter of book) -
Alphen, E.J., van (2008)
Describing the World Seen Without the Self: Modernism, the Impersonal and the Traumatic. In Kawashima, R.S., Philippe, G., Sowley, Th. (Eds.) Phantom Sentences: Essays in Linguistics and Literature presented to Ann Banfield (pp. 411-426). Bern: Peter Lang.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2008)
Het fotografisch beeld. In: houppermans, sjef & Verstraten, peter (Eds.), Van verbeelding gesproken: Psychoanalyse en fotografie, pp. 12-20. Amsterdam: Rozenberg publishers.
(Part of book or chapter of book) -
Alphen, E.J., van (2008)
Literatuur als visueel medium. Vooys: tijdschrift voor letteren, 26 (2), pp. 2-10.
(Article) -
Alphen, E.J., van (2008)
Looking at Drawing: Theoretical Distinctions and their Usefulness. In: Garner, S (Ed.), Writing on Drawing: Essays on Drawing Practice and Research, pp. 59-70. Intellect books, Chicago University press.
(Part of book or chapter of book) -
Alphen, E.J., van (2008)
Oog voor het ongeziene: Trauma en fotografie. simulacrum: tijdschrift voor kunst en cultuur, 17 (november), pp. 18-22.
(Article) -
Alphen, E.J., van (2008)
Painful painting / pijnlijke schilderijen / peinture douloureuse. , Ronald Ophuis, pp. 89-133. Zürich: JRP/RINGIER Kunstverlag AG.
(Part of book or chapter of book) -
Alphen, E.J., van (2008)
Towards a New Historiography: Peter Forgacs and the Aesthetics of Temporality. In: Bangma, a & Donoghue, d.m. (Eds.), Resonant Bodies, Voices, Memories, pp. 90-113. Rotterdam: Piet Zwart Institute.
(Part of book or chapter of book) -
Alphen, E.J., van (2008)
Visual Archives as Preposterous History. In: Cherry, Deborah (Ed.), About Mieke Bal, pp. 64-82. Oxford: Wiley-Blackwell.
(Part of book or chapter of book)
2007
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Alphen, E.J., van (2007)
Animating Light: On the Work of Michael Kirkham. , Michael Kirkham, pp. 4-18. Amsterdam: Mets & Schilt Publishers.
(Part of book or chapter of book) -
Alphen, E.J., van (2007)
Configurations of Self: Modernism and Distraction. In: Eysteinsson, A. & Liska, V. (Eds.), Modernism, pp. 339-346. Amsterdam/Philadelphia: John Benjamins.
(Part of book or chapter of book) -
Alphen, E.J., van (2007)
Literatuur als legitimatie: het geval van de 'plaasroman'. Dietsche warande & Belfort, 152 (5-6), pp. 885-899.
(Article) -
Alphen, E.J., van (2007)
Naar een nieuwe Historiografie: Peter Forgacs en de persoonlijke tijd. In: Sparreboom, M. (Ed.), De kunst van Peter Forgacs, pp. 63-80. Amsterdam: Balans.
(Part of book or chapter of book) -
Alphen, E.J., van (2007)
Pijnlijke schilderijen. De Witte Raaf, 125 (jan-feb), pp. 13-15.
(Article) -
Alphen, E.J., van (2007)
Visual Archives as Preposterous History. Art History, 30 (3), pp. 364-382.
(Article) -
Alphen, E.J., van (2007)
Vrije associatie en anomisch archiveren. Parmentier, 16 (1+2), pp. 69-88.
(Article)
2006
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Alphen, E.J., van & Metraux, A. (2006)
Drei Briefe ueber Geschichte und Kunst. In: Zuchermann, M. (Ed.), Tel Aviver Jahrbuch fuer deutsche Geschichte, pp. 49-58. Göttingen: Wallstein Verlag.
(Part of book or chapter of book) -
Alphen, E.J., van (2006)
Free Association and Anomic Archiving. In: Meersch, E., vanden (Ed.), Implants, pp. 134-149. Gent: MER.
(Part of book or chapter of book) -
Alphen, E.J., van (2006)
Giving Voice: Charlotte Salomon and Charlotte Delbo. In: Steinberg, M.P. & Bohm-Duchen, M. (Eds.), Reading Charlotte Salomon, pp. 114-125. Ithaca, NY: Cornell University Press.
(Part of book or chapter of book) -
Alphen, E.J., van (2006)
Imagined Homelands: Re-Mapping Cultural Identity (in Chinese vertaling). In: Tzeng, Shai-Shu (Ed.), Art and Identity (in chinees), pp. 253-272. Tapei: SMC Publishing.
(Part of book or chapter of book) -
Alphen, E.J., van (2006)
Second-Genration testimony, Transmission of Trauma, and Postmemory. Poetics Today, 27 (2), pp. 473-488.
(Article) -
Alphen, E.J., van (2006)
Sharing a Common Skin: Cutting, Perforating, Sewing, and Stringing in the Work of Celio Braga. In: Braga, C. (Ed.), Deliriously, pp. 5-57. Staphorst: Elferink.
(Part of book or chapter of book) -
Alphen, E.J., van (2006)
The Revivifying Artist: Boltanski's Efforts the Close the Gap. In: Rosenberg, E. & Saltzman, L. (Eds.), Trauma and Visuality in Modernity (Interfaces: Studies in Visual culture), pp. 222-249. Hannover: Dartmouth College Press.
(Part of book or chapter of book)
2005
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Alphen, E.J., van (2005)
"Qué Historia, la Historia de Quién, Historia con Qué Propósito?" Nociones de Historia del Arte y Estudios de Cultura Visual. EV:Estudios visuales, 3, pp. 79-98.
(Article) -
Alphen, E.J., van (2005)
"What History, Whose History, History to What Purpose?": Notions of History in Art History and Visual Culture Studies. Journal of Visual Culture, 4 (2), pp. 191-202.
(Article) -
Alphen, E.J., van (2005)
Art In Mind: How contemporary Images Shape Thought. Chicago: University of Chicago Press.
(Book (monograph)) -
Alphen, E.J., van (2005)
Migrant/Migrierende Maenlichkeit; migrant/migrating masculinities. In: Becker, K. (Ed.), Masculinities, pp. 13/66-33/91. Frankfurt am Main: Revolver.
(Part of book or chapter of book) -
Alphen, E.J., van (2005)
Modernisme en moderniteit. In Baetens, J., Houppermans, S., Langeveld, A., Liebregts, P. (Eds.) Modernisme(n) in de Europese letterkunde: Een ander meervoud (pp. 9-22). Leuven: Peeters.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2005)
Peter Forgacs en de persoonlijke tijd. De Witte Raaf, 118, pp. 26-27.
(Article) -
Alphen, E.J., van (2005)
Second Generation Testimony, the transmission of Trauma, and Postmemory. Psychoanalyse im Widerspruch, 17 (33), pp. 87-101.
(Article)
2004
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Alphen, E.J., van & Hoving, I. & Korsten, F.W.A. (Eds.) (2004)
Africa and Its Significant Others: Forty Years of Intercultural Entanglement. New York: Rodopi.
(Book editorial) -
Alphen, E.J., van (2004)
Africa as Textual Play. In: Alphen, E.J., van, Hoving, I., Korsten, F.W.A. (Eds.), Africa and Its Significant Others: Forty Years of Intercultural Entanglement (Intersecting: Place, Sex and Race), 11. , pp. 121-130. New York: Rodopi.
(Part of book or chapter of book) -
Alphen, E.J., van (2004)
Avizualis archivumok es a holokauszt. Enigma, 42, pp. 7-22.
(Article) -
Alphen, E.J., van & Korsten, F.W.A. (2004)
Hoe verder? Toekomstperspectieven in de Studie van de Nederlandse Letterkunde. Tijdschrift voor Nederlandse Taal- en Letterkunde, 4 (120), pp. 289-297.
(Article) -
Alphen, E.J., van (2004)
In Acknowlegmenet of the Other: Response to Dominique LaCapra's "Intellectual History". Rethinking History, 8 (4), pp. 557-564.
(Article) -
Alphen, E.J., van (2004)
Literatuurwetenschap in ontwikkeling. Vooys: tijdschrift voor letteren, 22 (3/4), pp. 63-71.
(Article) -
Alphen, E.J., van (2004)
Opgenomen in abstractie. In: Breedveld, M. & Elferink, Hein (Eds.), Windstil, pp. 5-25. Staphorst
(Part of book or chapter of book) -
Alphen, E.J., van (2004)
Schaduw en spel: herbeleving, historisering en verbeelding van de Holocaust. (Fascinaties, 13). Rotterdam: NAi uitgevers.
(Book (monograph)) -
Alphen, E.J., van (2004)
Symptoms of Discursivity: Experience, Memory and Trauma. , Narrative Theory: Critical Concepts in Literary and Cultural Studies, pp. 107-122. London/New York: Routledge.
(Part of book or chapter of book) -
Alphen, E.J., van (2004)
Szerepjátékok és játékszerek. Enigma, 37-38, pp. 39-58.
(Article) -
Alphen, E.J., van & Korsten, F.W.A. (2004)
T.R. - Tijdschrift voor Nederlandse Taal- en Letterkunde. Tijdschrift voor Nederlandse Taal- en Letterkunde, 4
(Contribution for newspaper or weekly magazine) -
Alphen, E.J., van (2004)
Unprecedented Sensations / ongekende sensaties. In: Schouten, M. (Ed.), Scullpture, pp. 7-67. Tilburg: De Pont.
(Part of book or chapter of book) -
Alphen, E.J., van (2004)
Zabawa w Holokaust. Literatura na swiecie, 1 (2), pp. 217-244.
(Article)
2003
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Alphen, E.J., van (2003)
"Reconcentrations": Bacons Neuerfindung seiner Vorbilder. In: Seipel, W., Steffen, B., Vitali, Ch. (Eds.), Francis Bacon und die Bildtradition, pp. 57-70. Milano: Skira.
(Part of book or chapter of book) -
Alphen, E.J., van (2003)
Beelden schieten, schaduwen werpen: over Fiona Tan. De Witte Raaf, 102, pp. 13-15.
(Article) -
Alphen, E.J., van (2003)
Caught by Images: Visual Imprints in Holocaust Testimonies. In: Hornstein, S. & Jacobowitz, F. (Eds.), Image and Remembrance: Representation and the Holocaust, pp. 97-113. Bloomington: Indiana University Press.
(Part of book or chapter of book) -
Alphen, E.J., van (2003)
Die Ausstellung als narratives Kunstwerk/ Exhibition as Narrative Work of Art. In: Hendeles, Y. (Ed.), Partners, pp. 143-185. Köln: Verlag der Buchhandlung Walther Konig.
(Part of book or chapter of book) -
Alphen, E.J., van (2003)
Holocaust Toys: Pedagogy of Remembrance through Play. In Hornstein, S., Levitt, L., Silberstein, L.J. (Eds.) Impossible Images: Contemporary Art after the Holocaust (pp. 157-178). New York: New York University Press.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2003)
Literature and Art in History. Arcadia: Internationale Zeitschrift für Literaturwissenschaft, 38 (2), pp. 334-338.
(Article) -
Alphen, E.J., van (2003)
Stilistische travestie. In Akkerman, P. (Ed.) De onzichtbare man (pp. 5-21). Staphorst: Elferink.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2003)
Stylistic Travesties: Philip Akkerman's Obessisive Self-Portraiture. In: Blostein, D. & Kleber, P. (Eds.), Mirror or Mask? Self-Representation in the Modern Age (Berliner Theaterwissenschaft), 11. , pp. 264-276. Berlin: Vistas.
(Part of book or chapter of book) -
Alphen, E.J., van (2003)
Tijdtekenen/ Drawing Time. In: Kensmil, N. (Ed.), Universal Souvenir, pp. I-VII. Hengelo: Broekhuis.
(Part of book or chapter of book)
2002
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Alphen, E.J., van (2002)
Image as Landscape / Beeld als Landschap. In: Huttenlocher, Britta (Ed.), Ten Etchings / tien Etsen, pp. 5-36. Slingenberg: Hein Elferink.
(Part of book or chapter of book) -
Alphen, E.J., van (2002)
Caught by Images: On the Role of Visual Imprints in Holocaust Testimonies. Journal of Visual Culture, 1 (2), pp. 205-221.
(Article) -
Alphen, E.J., van (2002)
Hubert Damisch. In: Murray, C. (Ed.), Key Writers on Art: The Twentieth Century (Key guide), pp. 84-89. London: Routledge.
(Part of book or chapter of book) -
Alphen, E.J., van (2002)
Imagined Homelands: Re-Mapping Cultural Identity. In Verstraete, G. & Cresswell, T. (Eds.) Mobilizing Place, Placing Mobility: The Politics of Representation in a Globalized World (pp. 53-70). Amsterdam/New York: Rodopi.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2002)
Toys and Affect: Identifying with the Perpetrator in Contemporary Holocaust Art. Australian and New Zealand Journal of Art, 2&3 (2,1), pp. 159-190.
(Article) -
Alphen, E.J., van (2002)
Zintuiglijkheid als zelfervaring: Gertrude Steins moderniteit. In Mulder, E., Ester, H., Siccama, W. (Eds.) Teken en traditie: Opstellen voor Ulla Musarra-Schroder (pp. 95-109). Nijmegen: Nijmegen University Press.
(Article in monograph or in proceedings)
2001
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Alphen, E.J., van (2001)
Barokke vertellingen. (oratie). Leiden: Universiteit Leiden.p. 24.
(Inaugural lecture) -
Alphen, E.J., van (2001)
Deadly Historians: Boltanski's Intervention in Holocaust Historiography. In Zelizer, B. (Ed.) Visual Culture and the Holocaust (pp. 45-73). New Brunswick: Rutgers University Press.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2001)
Men without Balls: Matthew Barney and the refusal of masculinity. In Roelens, N. & Strauven, W. (Eds.) Homo orthopedicus: le corps et ses protheses a l'époque (post)modernsite (pp. 417-432). Paris: L'Harmattan.
(Article in monograph or in proceedings) -
Alphen, E.J., van (2001)
Playing the Holocaust. In: Kleeblatt, N.L. (Ed.), Mirroring Evil: Nazi Imanigary/Recent Art, pp. 65-83. New Brunswick: Rutgers U.P..
(Part of book or chapter of book)
2000
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Alphen, E.J., van (2000)
Armando: Shaping Memory. Rotterdam: NAi-Publishers.
(Book (monograph)) -
Alphen, E.J., van (2000)
Armando: vormen van herinnering. Rotterdam: NAi uitgevers.
(Book (monograph)) -
Alphen, E.J., van (2000)
Gertrude Stein, or, Reading in the Age of Mechanical Reproduction. From, 2, pp. 54-64.
(Article) -
Alphen, E.J., van (2000)
Trauma en Geschiedenis. De Witte Raaf, 85, pp. 13-15.
(Article)
1999
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Alphen, E.J., van (1999)
Affective Reading. In: Bal, M. (Ed.), The Practice of Cultural Analysis: Exposing Interdisciplinary Interpretation, pp. 151-170. Stanford: Stanford University Press.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Art, Morality and the Holocaust. In: Kelly, M. (Ed.), The Encyclopedia of Aesthetics, pp. 285-287. New York/Oxford: Oxford University Press.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Colonialism as Historical Trauma. In: Atkinson, B. & Breitz, C. (Eds.), Greay Areas: Representation, Identity and Politics in Contemporary South African Art, pp. 269-282. Johannesburg: Chalkham Hill Press.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Confrontaties tussen potlood en papier. In: NN, NN (Ed.), Armando, pp. 5-16. Slingenberg: Hein Elferink.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
De tand des tijds: Over Armando's bronzen/Der Zahn der Zeit: über Armandos Bronzen. In: Schoots, W. (Ed.), Armando: De tand des tijds/Der Zahn der Zeit, pp. 11-28. Maastricht: Bonnefantenmuseum.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Deadly Historians. Christian Boltanski's Intervention in Holocaust Historiography. In: Reinink, W. & Stumpel, J. (Eds.), Memory and Oblivion. Proceedings of the XXIXth International Congress of the History of Art, pp. 913-918. Dordrecht: Kluwer.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Interdisciplinary Cultural Analysis Today: Thinking about Art in History. In: NN, NN (Ed.), The Contemporary Study of Culture, pp. 193-204. Wenen: Turia + Kant.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Nazism in the Family Album: Christian Boltanski's 'Sans-Souci'. In: Hirsch, M. (Ed.), The Familial Gaze, pp. 32-50. Hanover NH: University of New England Press.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Re-modelling Schneewittchen. In: Buxbaum, G. & Lammer, Ch. (Eds.), Schneewittchen: Über den Mythos kalter Schönheit, pp. 121-136. Tübingen: Konkursbuchverlag.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
Symptons of Discursivity: Experience, Memory, Trauma. In: Bal, M., Crewe, J., Spitzer, L. (Eds.), Acts of Memory: Cultural Recall in the Present, pp. 24-38. Hanover NH: University of New England Press.
(Part of book or chapter of book) -
Alphen, E.J., van (1999)
recensie. [Bespreking van: Homos]. In: Thamyris: mythmaking from past to present, 2, pp. 281-284.
(Book review)
1998
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Alphen, E.J., van (1998)
Charlotte Delbo: Teksten van een overlevende. Lust en Gratie, 56, pp. 6-27.
(Article) -
Alphen, E.J., van (1998)
De criticus als connoisseur. De Witte Raaf, 73, p. 42.
(Article) -
Alphen, E.J., van (1998)
De getuigenis als toegang tot het heden. Krisis: tijdschrift voor actuele filosofie, 72, pp. 11-24.
(Article) -
Alphen, E.J., van (1998)
Duchamp in travestie. De Witte Raaf, 76, pp. 14-15.
(Article) -
Alphen, E.J., van (1998)
Het intellectuele museum. De Witte Raaf, 75, pp. 12-13.
(Article) -
Alphen, E.J., van (1998)
Hoe kleden we het kunstwerk aan? Bij het recente werk van Marlene Dumas. De Witte Raaf, 73, pp. 12-13.
(Article) -
Alphen, E.J., van (1998)
In Pursuit of a Listener: Christian Boltanski's Post-Holocaust Art. Lier & Boog, 13, pp. 127-145.
(Article) -
Alphen, E.J., van (1998)
In Pursuit of a Listener: Christian Boltanski's Post-Holocaust Art. Bulletin Trimestriel de la Fondation Auschwitz, 60, pp. 207-220.
(Article) -
Alphen, E.J., van & Lucas, F. (1998)
Livre d'ímages: La vision en acte dans la litterature de la modernite en France. universiteit van Amsterdam, 205pp.(amsterdam E.J. van Alphen & M.G. Bal.
(Dissertation) -
Alphen, E.J., van (1998)
The Active Eye: Rethinking Art Education. In: NN, NN (Ed.), Proceedings The Active Eye: an International Symposium on Art Education and Visual Literary, pp. 20-26. Rotterdam: Museum Boijmans Van Beuningen.
(Part of book or chapter of book)
1997
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Alphen, E.J., van (1997)
Caught by History: Holocaust effects in contemporary art, literature and theory. Stanford: Stanford Univ. Press.
(Book (monograph)) -
Alphen, E.J., van (1997)
De representatie van ruimte en de ruimte van representatie. De Witte Raaf, 70 (nov/dec), pp. 5-7.
(Article) -
Alphen, E.J., van (1997)
Excess and Sublimity in Kathy Acker's Narratives. , ASCA Brief: Visions and Voices of Otherness (ASCA brief), 2. , pp. 190-208. Amsterdam: ASCA.
(Part of book or chapter of book) -
Alphen, E.J., van (1997)
Moves van Hubert Damisch: Denken over Kunst in Geschiedenis. In: Damisch, H. (Ed.), Moves: Schaken en Kaarten met het museum, pp. 35-73. Rotterdam: Boijmans van Beuningen.
(Part of book or chapter of book) -
Alphen, E.J., van (1997)
recensie. [Bespreking van: Saint-Foucault]. In: Thamyris: mythmaking from past to present, 4, pp. 370-372.
(Book review)
1996
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Alphen, E.J., van (1996)
Autobiography as Resistance Against History. In: Zegher, C., de (Ed.), Inside the Visible: An Elliptical Traverse of 20th Century Art, in, of, and from the Feminine, pp. 219-232. Cambridge MA: NN.
(Part of book or chapter of book) -
Alphen, E.J., van (1996)
Barnett Newman interpreteren. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 87, pp. 206-212.
(Article) -
Alphen, E.J., van (1996)
De toegang tot de harem: een strijd van koloniale en postkoloniale mannen. In: D'haen, Th. (Ed.), Weerwerk. Schrijven en terugschrijven in koloniale en postkoloniale literaturen (Semaian), pp. 103-119. Leiden: NN.
(Part of book or chapter of book) -
Alphen, E.J., van (1996)
Deadly Historians (in Russisch!). Moscow Art Magazine (13), pp. 52-57.
(Article) -
Alphen, E.J., van & Weide, J, van der (1996)
Detective en anti-detective: Narratologie, psychoanalyse, postmodernisme. universiteit nijmegen, 223pp.(nijmegen, Vantilt) E.J. van Alphen & W. Bronzwaer.
(Dissertation) -
Alphen, E.J., van (1996)
Die dekonstruktion der Mänlichkeit. Zur Körpersprache im Werk Francis Bacon. , Francis Bacon, pp. 32-42. München: Haus der Kunst.
(Part of book or chapter of book) -
Alphen, E.J., van (1996)
Mannen zonder kloten. Over de weigering van mannelijkheid in het werk van Matthew Barney. De Gids, 159 (11/12), pp. 1004-1021.
(Article) -
Alphen, E.J., van & Duyvendak, L. & Meijer, M. & Peperkamp, B. (1996)
Op poëtische wijze. Een handleiding voor het lezen van poëzie. Bussum: NN.
(Book (monograph)) -
Alphen, E.J., van (1996)
The Homosocial Gaze. According to Ian McEwan's The Comfort of Strangers. In: Brennan, T. & Jay, M. (Eds.), Vision in Context: Historical and Contemporary Perspectives on Sight, pp. 169-186. London: NN.
(Part of book or chapter of book) -
Alphen, E.J., van (1996)
The Poetics of Etching. In: Neubauer, U. (Ed.), Works on Paper and Canvas, pp. 3-7. Amsterdam: NN.
(Part of book or chapter of book) -
Alphen, E.J., van (1996)
The Portrait's Dispersal. Concetps of Representation and Subjectivity in Twentieth-century Portraiture. In: Woodall, J. (Ed.), Portraiture: Facing the subject, pp. 239-256. Manchester: NN.
(Part of book or chapter of book)
1995
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Alphen, E.J., van (1995)
De Holocaust en de grenzen van de representatie. In: Bulhof, I. & Riessen, R., van (Eds.), Als Woorden niets meer zeggen. De Crisis rond Woord en Beeld in de Huidige Cultuur, pp. 123-142. Kampen: NN.
(Part of book or chapter of book) -
Alphen, E.J., van (1995)
Dumas 'Denk-Beelden. Filosofie, 5 (4), pp. 24-28.
(Article) -
Alphen, E.J., van (1995)
Geschreven Realiteit. W.F. Hermans en de fotografie. In: Ruiter, F. & Smulders, W. (Eds.), De literaire magneet. Essays over W.F. Hermans en de moderne tijd, pp. 178-209. Amsterdam: NN.
(Part of book or chapter of book) -
Alphen, E.J., van (1995)
Reframing the Holocaust. Annals of Scholarship, 10 (3/4), pp. 421-443.
(Article) -
Alphen, E.J., van (1995)
Sich der Entstellung Stellen. Models und Marlene Dumas' Eingriff in die westliche Kunst. In: NN, NN (Ed.), Marlene Dumas; Models, pp. 55-75. Frankfurt am Main: NN.
(Part of book or chapter of book) -
Alphen, E.J., van (1995)
The Gender of Homosexuality. Thamyris: mythmaking from past to present, 2 (1), pp. 3-10.
(Article) -
Alphen, E.J., van (1995)
recensie. [Bespreking van: Men's Silences. Predicaments in Masculinity]. In: Tijdschrift voor Vrouwenstudies, 62, pp. 243-245.
(Book review)
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