Anna Scott Doctoral Degree
On Thursday 11 December at 11.15 a.m., at the Academiegebouw Leiden, Rapenburg 73, docARTES-PhD candidate Anna Scott will publicly defend her thesis: Romanticizing Brahms: Early Recordings and the Reconstruction of Brahmsian Identity.
On December 10 she will give a lecture-recital. Attendance by invitation only.
Anna Scott is a Canadian pianist-researcher interested in using the early twentieth century recordings of the Brahms circle of pianists to question persistent gaps between the loci of knowledge, ethics, and act in both modern mainstream and historically-informed performances of Brahms’s late piano works. Far from advocating more historically authentic performances, Anna’s 'off-the-record' experiments are intended to both elucidate and disturb modern constructions of Brahms’s Classical canonic identity and its nearly immovable set of associated performance norms by encouraging the emergence of the corporeal and psychological conundrums more typically associated with Romantic pianism. Anna Scott, in her thesis, critically reappraises documentary evidence of Brahms's musical contexts; analyses and exactly copies the early recordings of pianists in his inner circle; and experimentally extrapolates those pianists' styles across other works in his late piano opuses. In so doing, Anna has proposed a radical recordings-inspired style of Brahms performance that reveals current notions of Brahmsian identity, along with its associated performance mores, as highly context-specific, malleable, and perhaps even disposable.
The supervising team consists of:
Prof. Frans de Ruiter - 1st promotor - Universiteit Leiden
Prof. Dr. Daniel Leech-Wilkinson - 2nd promotor - King’s College London
Dr. Bruce Haynes †